On Inkshares Horror Novel

Have you guys heard about this? I recently heard about a crowdfunding site called Inkshares. It’s basically Kickstarter or Indiegogo crossbred with Createspace or Lulu. It looks like a site where you can crowdfund a novel that will have an ebook and physical presence in bookstores. Unlike Kikstarter or Indiegogo where you give them thousands of dollars and then the writer keeps a percentage and has to then hire editors and distributors, Inkshares does all of that. So if a project is successfully funded at Inshares, it includes a professional manuscript editor and distributor.

I had no idea how any of this works, so I figured I’d dive in and take a look see with my current manuscript. I’m working on a 90 thousand word novel about three strangers entering the witness protection program when they accidentally thwart a serial killer. They’re relocated to a new state, but their new home brings them into contact with horrors beyond imagination.

You can find the Inkshares page, along with fun FAQs and whatnot, and back this project here are: https://www.inkshares.com/projects/horror-novel

Thanks so much for your support!

This is Elliot Arthur Cross eternally grateful for your support. For any questions about the project, please email me at elliotarthurcross@gmail.com. Thank you and happy reading.


On cancelled TV shows

Okay, here’s what really grinds my gears: TV studios cancel shows way too early. I’m not talking about ‘hey, they could have squeezed one more season of How I Met Your Mother or Lost out’ but I’m talking about ‘hey, the premiere episodes wasn’t record breaker so we’re cancelling it after two episodes.’

Fun fact: If Seinfeld premiered this year, it would have been cancelled midway through the first season. Why’s that? Because most shows need some time to breath, to come into their own, and to find an audience. Even the much beloved Star Trek: The Next Generation started rocky and didn’t hit its stride until season 2 or 3.

Let’s take a look at he cancelled shows that I was watching this year:

The Neighbors
Cheesey? Sure, but the cast was delightful. The show harkened back to the good ole times when sitcoms were about witches, monsters, or genies. I should consider it lucky we even got a second season, but ABC shoved it in the Friday Night death slot, which only few shows ever recover from.

Another show that lasted enough to get me hooked on. At least it got Jane Levy enough exposure to star in the great Evil Dead remake/reboot/sequel/whatever it was.

Super Fun Night
A fat girl, her nerdy friend, and her lesbian friend star in awkward city misadventures? Count me there. But apparently I was the only one. One short season flew by, and I looked forward to watching more zany fun from the crew. Oh well.

Bad Teacher
Based on the movie of the same name, this series features a fantastic cast with great timing. This one had the potential of being a real super star, but CBS cancelled it after airing two episodes. Not cool.

Friends With Better Lives
Probably my favorite show on this list. Much hyped by CBS as the new Friends, they cancelled the show after three episodes. This was the biggest mistake on the list. James Van Der Beek, please find a vehicle that lasts. And Kevin Connolly, please continue to be hot well in your forties. Thank you.

I watched this one because hey why not? I liked the cast, but it was cringe worthy. Fox, this was a good decision. Well played, for once.

What do you do with a feel-good comedy about the military with a hot cast (I’m looking at you, Chris Lowell) and a quirky sense of humor? According to Fox, you throw it on at a random Friday Night Death Slot with little fanfare and air the episodes out of order. No surprise the show was cancelled after that treatment. The series should have been paired with Brooklyn 99 and found an audience. Poor move, Fox.

Raising Hope
Fox took the series, gave it a new showrunner and a new night, and only gave it one season. I guess we were lucky to have that one extra season. The show probably had run its course.

Surviving Jack
A victim of circumstances. American Idol’s been slipping, and the first season was shortened due to scheduling conflicts. This nostalgic look at the early 1990s couldn’t find the audience that The Goldbergs (similar style to the early 1980s) found.

For a series that’s been on the bubble since the first season, I considered every year to be lucky (even the year of the gas leak). Of all the series on the list, this one is the only one with a chance of continuing on somewhere else (I’m looking at you, Netflix).

The Michael J. Fox Show
I was a fan, mostly because of the star. Give him a better vehicle and start over. I agree with this one.

Sean Saves the World
I actually really liked this one, and it definitely got better as the season progressed. The cast started to gel together and the writing improved. Of all the sitcoms cancelled, I think this one had the best shot of really growing into a lasting series. I’ve no doubt Sean Hayes will find something new, and I’m pleased Tom Lennon’s already in for the Odd Couple remake.

That about sums it up for me. Any of you agree/disagree? Did you love one of the other dozens of shows that got canned that I never watched? Let me know.

This is Elliot Arthur Cross wishing you better luck for your favorite series next season.

On Game of Thrones Season 4 thoughts

Not sure if I’m mentioned my Game of Thrones/A Song of Ice and Fire obsession before, but it’s pretty bad. So, in my ongoing attempt to blog about something people care about, I’ve decided to share some book research and discuss my thoughts on what season four of the show will entail in very mild spoilers.

The show started on a loose 1 season equals 1 book approach for the first two seasons, but then split book three, A Sword of Storms, into two seasons. The book was much larger than the previous two and was split into two volumes in England (sub-titled Steel and Snow and Blood and Gold), but season three covered much more than half of A Storm of Swords (in addition to catching up with characters absent from previous books like the Reeds and Tullys and showing flashback scenes written about in later books, like Theon’s torture). Swords consists of 80 chapters with a prologue and epilogue. Of that, only the last 23 chapters and epilogue have not been shown in the TV series. This of course means that if one season presents about 60 chapters, leaving only 23, then the next season must contain a lot of material from books 4 and 5 (which take place mostly concurrently with one another, only separate by geography).

To those of you thinking that there’s lots of scenes added and characters fleshed out and there are probably great end of season moments for people in book 3, I’ll tell you what those chapters consist of. 5 Tyrion and 5 Jon chapters. 4 Sansa chapters. 3 Jamie chapters. 2 Arya and 2 Sam chapters. A Daenerys/Khaleesi chapter and the epilogue. While Tyrion/Jon/Sam/Sansa’s entire season will probably be contained, I’m fairly certain we’ll see more than 2 scenes with Arya and Daenerys. And what of Bran, Davos, and the Greyjoys? Surely chapters from later books will be pulled forward so we don’t go a year without seeing key characters.

And so season 4 of Game of Thrones will most likely begin the great time warp of the series, with some characters finishing their book 3 story lines, and others progressing to books 4 and 5. This will surely enrage some book purists and mystify others. I’m eagerly anticipating seeing how it all plays out on the mostly faithful adaption.

This is Elliot Arthur Cross wondering whose ass you think should rightfully sit on the iron throne?

On guest stars in procedurals

Following up on my murder mystery post, I’d like to say something to TV producers everywhere: stop casting guest stars as the killer of the week!

Oh, my God. You watch The Closer, Law & Order, CSI, Perception, Psych, etc. etc. and there’s some murder and the detectives talk to the friends and family and you only recognize one of the actors? He or she is the killer. Give it thirty minutes and the detectives will figure it out. Happens every damn time.

SVU breaks the mold occasionally. They had Jeremy Irons on a while back and it looked like he raped his daughter, but nope. Didn’t do it. Actually had him back on again. I miss B.D. Wong, and if it wasn’t for The Borgias, then Irons would probably be the resident psychologist on the show. Also, they occasionally get two or three guest stars in one episode, so you’re not sure which of them did it.

In closing, give the undiscovered actor a break. Cast your Fisher Stevens or Judith Light or Raphael Sbarge, but make the unknown guy the killer. Sure, you probably can’t name the actor, but you recognize his face. And that’s all it takes.

This is Elliot Arthur Cross telling you what I’d do if some studio ever gave me a budget to make a series. Peace.

On Murder Mysteries Being Unfair

There’s a reason I haven’t been updating as regularly as I’d like. And it’s my addiction with marathoning TV series. I just can’t help it. Anyway, the last two that I’ve been working on are Veronica Mars and The Killing. And there’s something these two excellent series have in common-unfair solutions. I’ll talk in broad terms to not spoil the killers’ identities.

Veronica Mars is the excellent comedy/drama/mystery about a plucky teenage girl in a wealthy town who works as a private investigator for her dad (the always fun Enrico Colantoni). In each episode of the first season, she solved a weekly problem, but the season as a whole had the mystery of who killed her best friend the year before. Turns out lots of people did shady things and a there were a lot of clues about who covered up what and why, but not necessarily about the actual murder itself. I figured it out with a few episodes left based on a gut hunch.

Episodes in the first two seasons of The Killing cover approximately one day  in the murder investigation of a teenage girl in Seattle. There are lots of suspects and twists and turns as the mystery was slowly unraveled, but the long awaited shocking reveal was less powerful when it was strung out in the end and it turned out there was more than one guilty party to varying degrees.

I thoroughly enjoyed both series and I’m continuing with each. Season three of The Killing seems to be about multiple bodies and one killer, which is a nice change, and season two of Veronica Mars was about a mysterious bus crash that killed some students during the second season premiere. I’m hoping both mysteries offer clues to a rewarding ending.

This was a big deal when I wrote my gay erotic murder mystery Ask Me No Questions. I did my best to plant clues that you could go back to and see how obvious it was on second reading (but hopefully not on the first). And it’s the reason I’m struggling like crazy writing the sequel. Murder mysteries are hard work to get right, and I commend Veronica Mars and The Killing on being so entertaining, but come on. Play fair with the audience who’s trying to figure it out.

This is Elliot Arthur Cross hoping I can solve the next murder mystery before the finale.

On Newlyweds still being annoying

I don’t know why I keep watching Bravo’s Newlyweds. Each episode fills me with anger.

After bitching about not being the center of attention at his wife’s baby shower, John announces that their gifts are worth about $3,500, so they “made out pretty good,” and then renegs on his promise to make space for his baby’s play room. What redeeming quality is there?

Blair keeps screaming at Jeff about financial issues because his parents had a rough divorce (which sounds like he’s heading toward a self-fulfilling prophecy), and seriously told Jeff that he doesn’t want a joint bank account because if Jeff dies, Jeff’s parents can swoop in and take all of the money. Um, what? That’s not how bank accounts work. When you are an adult, your parents can’t just take the money out. Even if you’re a child, they’d need a court order if their names aren’t on the account. You’re not children, Blair, so don’t freak out about hypothetical possibilities concerning parents that literally cannot happen.

Tina’s trying to force Tarz into taking nude photos, except she wants feathers and wild regalia on. They try to tell her that she’s attractive without circus pageantry and she throws a fit. Guess what, Tina, your husband adores you, you’re both attractive, so put away the Sesame Street outfits. She finally agrees to go “nude” and wears a bra and a thong.

Alaska admits that his mother used to treat him like a prince. Yeah, that’s why you’re chauvinistic and need everyone to serve you. Kim only feels close to you when you’re emotional because you’re closed off. He even tells Kim that if he dies, that he’ll pretend she didn’t exist so he can deal with it. Great…

This is Elliot Arthur Cross contemplating deleting my season pass on the TiVo.

On opening to interviews

Hey gang, I’ve decided that since I have lots of followers (soon to reach triple digits), I’ve decided to network even more. If anyone wants to interview an lgbt author/Game of Thrones enthusiast/Survivor junkie/politics enthusiast/holder of a BA in Film Studies, then let me know. I’m mildly entertaining and I’d love to meet more people and share ideas. We could also possibly do some free book giveaways to your readers, as that’s a marketing approach I need to tap into more. Current ebooks are in YA, murder mystery, erotica, and horror genres.

And it feels weird to just email someone out of the blue. There are some great bloggers who interview people, but I feel odd contacting strangers to see if they care about me. So any interested parties, please email me at elliotarthurcross@gmail.com. I will respond quickly and pleasantly.

This is Elliot Arthur Cross looking forward to hearing from you.